• 20 quiet rooms in Paris, all with windows
• NEXIS file sharing server (Avid media and projects)
• Several supervisor / assistant suites
• Work in progress screenings in color grading suite
• Avid Media Composer
Color Grading
• Color grading on Christie DCI 2k projector
• 4k HDR color grading
• Monitor on Sony BVM-HX310
• Dolby Vision workflow
• Optimized workflow management via 11 Da Vinci Resolve stations
Sound
Sound Editing
• 16 sound editing studios
• 5.1 to Dolby Atmos monitoring
• Soundproofed and acoustically treated
• Projection or 50″ monitor
• Soundly available
Foley
• Dedicated foley stage with variable acoustics
• Wide variety of microphones
• Many surfaces, water friendly area, integrated car
• Foley Rythmo-Band with Mosaic
ADR
• Dedicated voice recording stage with variable acoustics
• Wide variety of microphones
• ADR Rythmo-Band
• Mosaic or ADR with EdiCue
• Source Connect, Source Link, SessionLinkPRO, Zoom
Re-recording Mixing
• 1 Dolby Atmos Cinema auditorium
• 2 7.1 Dolby-certified auditoriums
• 4 Home Atmos auditoriums
• Avid S6 control surfaces from 40 to 56 faders
• DK Audio or JBL monitoring
• Pro Tools HDx3 to HDx6 for players and recorder
Services
• Dedicated mastering for TV, DVD, Blu-Ray, streaming platforms in 2.0, 5.1, 7.1, Home Atmos
• Trailer mixing
• Recording and mixing for audio-description
• HI (Hearing Impaired) mixing
R&D
HAL
• Software and audio plug-in development
• Commercial sound libraries
• Atmos Tree: 7.0.2 recordings